The arrival, finally, of Orson Welles' The Other Side of the Wind is cause for celebration. Begun by Welles in 1970 with the intention of serving notice of his return to Hollywood, the ambitious and incendiary film wound up, like many of his projects, unfinished, the legal rights disappearing in a multinational quagmire. The completion of the film and its online availability will, one hopes, expand the profile of a great filmmaker known most widely for his first film, the groundbreaking and still absorbing 1941 masterpiece Citizen Kane. Though many know him solely for Kane, there remains much confusion about both Welles and his body of work, with many assuming that Kane was a peak, followed by a number of unsuccessful projects, appearances in advertisements, and gradual dissolution.
So herewith, a kind of "Orson Welles 201", with YouTube links. Dig in!:
The Citizen Kane Trailer - cut by Welles to introduce his film and company to the general public, it's a warm and engaging little piece that also engages many of the movie's more experimental and layered techniques.
Orson Welles' Sketch Book - Six fifteen-minute episodes, shot for European television in that wonderful year of 1955, capture Welles drawing and talking. He draws you in so effortlessly, in this surprisingly intimate and engaging format, that you may find yourself, in current parlance, bingewatching all 90 minutes of it. Some YouTube commenters suggest that Welles basically invented YouTube with this series, which is a fun conceit.
The Fountain of Youth - the pilot for an anthology TV series (The Orson Welles Show, to have been executive produced by Desi Arnaz) is an astonishing stand-alone half hour story, with Welles easily adapting his vision to the small screen. Adapting John Collier's short story "Youth from Vienna," the story is shot through with Welles' vibrant high style, with Welles himself present as bemused, all-knowing (maybe too-knowing) narrator. Considered a crucial work by many Welles afficionados, it's a marvelous self-contained piece that spotlights much of what makes Welles great.
The Merchant of Venice - Welles had been fascinated by Shakespeare's drama of revenge and anti-Semitism, and numerous fragments of various attempts to film it over the years survive. In this clip from Dean Martin's variety show in 1968, we see Welles the Shakespearean actor in full force, delivering Shylock's monologue to engaged, deep silence, then sustained applause.
The F For Fake Trailer - also cut and filmed by Welles, this trailer is every bit as baffling as the movie it's meant to represent (and includes much footage that doesn't even appear in the movie, which is perfectly appropriate). And at nine minutes it cheerfully flaunts and subverts its own purpose as a piece of advertising, turning into a bizarre and lively short film in its own right.